Safe to the point of unyielding boredom, Son of God is a film that is too fearful to be anything but bland. It’s a resuscitation of the life and times of Jesus Christ, but it’s so static because it’s a collection of the Jesus Greatest Hits checklist. This is more a jumble of scenes than a movie, with little room given to flesh out the man who asked others to eat of his flesh. If anything, the one takeaway it presents is a more rounded and surprisingly empathetic perspective on why the leaders of the time felt threatened by Jesus. There is nothing here that stands out, that separates it from the glut of Biblical dramas of the past, beyond a penchant for reaction shots of an anguished Mary (Roma Downey, a producer as well). Son of God is shot and acted with the limited vision of a TV movie, and it’s easy to see why. The movie is actually partially culled from footage of The Bible miniseries that aired on the History Channel in record numbers. With that context, it’s easy to see the movie as a crass brand extension. I almost fell asleep at several points chiefly because I knew exactly what was coming and had little engagement with those onscreen. Just because you got Jesus up there doesn’t mean to get to slack when it comes to characterization. Even Mel Gibson’s Passion of the Christ brought the cinematic spectacle. This is just a bland movie that only preaches to the converted.
Nate’s Grade: C
Tagged: christian, drama, inide, period
